anelith: (Default)
 It's easy to wander into a new fandom these days, thanks to AO3... so the other day I found myself reading some wonderful Person of Interest fic, and since the show is available on Netflix I thought I would give it a go.  I managed to get halfway through the pilot episode and was so frustrated by what appears to be an enormous plot hole I stopped there.

So if there's anyone out there who can answer this I'd appreciate it.  The pilot shows that Harold and John are given Person X to watch -- they don't know whether Person X is a victim or a perpetrator, they don't know any reason why this person is a nexus.  But I know from the fic that a computer called the Machine is the supplier of Person X's identity.  The Machine must have an algorithm for deciding that Person X is a problem -- why can't Harold access the relevant data/evidence?  He's the programmer, right?

Is this another case where TV screenwriters demonstrate they don't actually understand what a computer is?  Or should I just be patient and tamp down on my frustration? 

anelith: (Default)
Not quite sure what to do during this weird transitional time where lots of people are on Pillowfort and Dreamwidth as well as Tumblr.  I'll try posting on both PF and DW, so apologies if you're seeing this twice.  I'm not sure about using DW's crossposting thingy so I'll do it manually.

I just finished a delightful fantasy novel, Sorcerer to the Crown by Zen Cho.  During the holidays I don't want to read anything too deep or stressful; this fit the bill perfectly.  Clearly influenced a great deal by Jonathan Strange and Mr. Norrell, but (as many of the blurbs say) owes a big debt to Georgette Heyer's regency romances.  Witty dialogue in the best Heyer tradition, and a social/governmental structure that includes magic as in Clarke's novel.  BUT!  With a wonderfully expanded world -- English or European magic isn't the only type that exists.  Cho is Malaysian, currently living in the UK according to the author bio, and she brings in Malay magic and folk traditions.  Their interaction with English sorcerers is hilarious but doesn't shy away from the issues of colonialism and bigotry.

This could be the beginning of a series but doesn't have to be; the ending is satisfying enough that it could stand alone.

On a different topic -- I'm wondering what people think of the mini-series adaptation of Pratchett's Hogfather.  I know it's a holiday tradition for some, but this year is my first viewing (I've read the book several times).  I find myself... underwhelmed? by the mini-series.  It's so very faithful to the book, but I feel that it drags as a result.  Or is that the reason it drags?  When I read the book I feel that the meshing storylines zip along, but this version is just a slog.  I thought the Going Postal mini-series was much better.

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anelith

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